How to Get Audiobook Discounts Using Whispersync

How to Get Audiobook Discounts Using Whispersync

This article contains tips on how to take advantage of the Whispersync for Voice feature by Amazon and get audiobook discount. If you’re an Amazon consumer, particularly ebooks and audiobooks consumer, you’re probably familiar with or at least have heard about Whispersync.

 

The Amazon audiobook service is called Audible, and to read more about Audible membership and how to save money during sign up or after you’ve subscribed to Audible, read this article: How to Save Money on Audible Membership.

 

Try Audible for 30 Days and Get Two Free Audiobooks

 

Whispersync is a neat feature that lets you sync the location of your latest read in the ebook and audiobook when you have both versions of the same title in your library. Many, though not all, ebooks offered by Amazon are Whispersync for Voice-ready enabled, allowing you to pick up where you left off from the audio or ebook version. It’s great because it combines the flexibility of the audiobook (e.g., you can multitask while listening to a book) and the handiness of highlights and writing notes on the Kindle for ebooks.

 

Now, why would you want to buy both the ebook and audiobook versions of the same title? One reason is for the discounts!

 

When you buy either an audiobook or a Kindle ebook that is Whispersync for Voice-ready, Amazon will likely give you an offer to buy the other version at a heavily discounted price. Sometimes, the total price for this combination will be lower than the original price of either the audio or ebook version.

 

I usually prefer ebooks, since I like to go back to certain sections of the book, get quotes, etc, which would be difficult with the audio version. A few times, I’ve found out that buying the audiobook first, then taking advantage of the Whispersync offer, I get a lower total amount spent and I have both the ebook and audiobook versions in my library.

 

Here’s an example on how to do it, screenshots included.

 

Whispersync Audiobook Discounts

 

Example: I did this recently with Trevor Noah’s book, Born A Crime: Stories from a South African Childhood. With raving reviews, this book turns out to be a perfect example on why it’s great to have the ebook and audiobook versions. Trevor is both hilarious and insightful. He’s a comedian from South Africa and a brilliant storyteller. He’s currently heading the satirical news show The Daily Show, which he inherited from the legendary Jon Stewart.

 

Trevor was born during apartheid, and grew up in the complex post-apartheid South Africa. His life stories are out of this world. Noah is the one narrating the audiobook version, which is awesome, since he fully characterizes the people he mentions in the book. So, not only you get to listen to the words exactly as he intended them to sound, you’ll also get the full affectation and the true pronunciations of the numerous languages that he masters. He even says “Volkswagen” the proper way.

 

This is the Amazon page for the Kindle book. It’s priced at $14.99.

Trevor Noah: Born A Crime

 

 

 

 

 

If you see to the right of the image, beneath the 1-Click purchase button, there is a box that you can check to “Add Audible narration to your purchase.” In this case, the additional cost of the Audible narration is $4.99. To get both the ebook and audiobook, check this box.

Add Audible Narration

 

If you see the original price of the audiobook alone, it’s listed at $21.95. So if you actually go the ebook + audiobook route, your total is $14.99 + $4.99 = $19.98, which is less than the audiobook alone. Of course, there will be taxes applied to your purchase, but the taxes will exist in both cases. Note that if you have Audible membership, you may get the 30% discount on any purchased audiobook, so this comparison wouldn’t apply. In any case, the additional cost of having both versions in your library is marginal.

Trevor Noah: Born A Crime Audiobook

 

 

 

 

 

 

 

Additional Notes

One thing that happened to me when I purchased this book was the notification that the credit card on record in my Amazon account and Audible account has to be the same. I think if they were the same, the purchase of both versions could be done simultaneously.

 

I actually had some Amazon credit that I could use to buy the Kindle ebook, so I went through the steps to purchase the ebook first, using my credit. Then I went to my Audible account, and it knew that I had purchased the ebook, so the audiobook was priced at $4.99. I then purchased the audiobook version using the credit card I had on the Audible account.

 

Kindle book purchase:

 

 

 

 

 

Audiobook purchase:

 

This means that if you have some Amazon credit (e.g., from gift cards, etc.), you cannot use this to purchase audiobooks, since the audiobooks are sold on the Audible website, with separate accounts. Just a heads up.

You can explore more titles and use this trick to see if you can get good deals on audiobooks. Many ebook titles, especially the classics, are free on Amazon. Once you’ve “bought” them and have the ebooks in your account, the audiobook offer becomes very cheap. To find Whispersync deals, or to scan through your ebook library to see the Whispersync discount offer, go to this page.

 

 

 

 

You can see the links there for deals or “Add Audible Narration to Books You Own”. The last link there will scan all of the ebooks you’ve owned and list the prices to add Audible narration.

 

Hope this is useful for you, and enjoy reading and listening!

 

Other how-to articles on Audible Membership:

How to Save Money on Audible Membership

 

Reading Interview Episode 1: Justin Kim

Reading Interview Episode 1: Justin Kim

Welcome to the inaugural episode of the Reading Interview Series, where I chat with bookworms, avid readers and learners, to unpack their reading habits and philosophy.

 

My first guest is Justin Kim. Justin Kim is a public speaker and minister for the Seventh-day Adventist Church. His official title is Assistant Director of Sabbath School and Personal Ministries at the General Conference of Seventh-day Adventist Church, as well as the Editor of Collegiate Quarterly, a religious publication for young adults. He graduated from a Roman Catholic high school, a Jewish-sponsored university, and has dialogued with many denominations.

 

In this conversation, we talked about how he digests books, how he uses audiobooks, reading in first and second languages, parenting and reading, reading for students and graduate students, how he finds time to read, using emotion as a tool for learning, and much more. I enjoyed it tremendously and I hope you will too.
 

Visit Justin’s Blog, beforethink.org. Connect on Twitter: @justinkimjk

 

 

Mentioned Books, Authors, and Links
How to Read a Book by Mortimer J. Adler
Encyclopedia of Britannica
The Bible
Ellen G. White
The Big Five
John Stott
Philip K. Dick
J. R. R. Tolkien
Curious George
Little Blue Truck

 

Minute Markers:
Current work at the General Conference of  Seventh-day Adventist Church [1:53]
People’s behavior towards digital vs. print publications [4:42]
How he started reading and loving to read [7:00]
On collecting series [8:40]
How the genres he reads change over time [10:29]
Learning reading and writing skills in college [12:12]
On the book, How to Read a Book, and the multiple ways to read a book [14:57]
Whether he reads cover to cover [18:45]
Reading in first and second languages [19:27]
The types of books he reads now [23:04]
How to improve the mind’s life: reading 7 types of books [23:50]
What he is reading right now [25:34]
How he finds titles to read [26:24]
Books vs. ebooks [28:20]
On audiobooks [30:29]
The power of narratives [32:40]
How many books he goes through per month [33:33]
How he remembers what he read [34:53]
On lending books to other people [38:11]
On using public libraries and borrowing audiobooks [40:19]
How he arranges his bookshelves [43:47]
What he reads for entertainment [47:53]
The relationship between science fiction and systematic theology [48:47]
How he finds time to read [53:02]
Parenting and reading [55:23]
Selecting children’s books [59:33]
Favorite children’s books [01:02:00]
What he wants to get better at in terms of reading [01:04:14]
Important skills for students and graduate students [01:05:45]
Books he would give to a younger version of himself [01:06:13]
What people should read [01:07:25]

 

Attributions

 

*Amazon Product links on this blog are Amazon Affiliate links, which means that each time you purchase something through those links, I get a small commission without you paying any extra. Of course you don’t have to use them, but if you want to chip-in towards content creation for this blog, I’d really appreciate it!

 

Uncle Tungsten: Oliver Sacks on Leaving Childhood Fascination

Uncle Tungsten: Oliver Sacks on Leaving Childhood Fascination

In Uncle Tungsten: Memories of a Chemical Childhood, Oliver Sacks recounted memories of his younger years being fascinated and consumed by chemistry. Under the familial apprenticeships of his chemist uncles, he enjoyed the exploration of a scientific field with all the joy and wonder a boy could experience in his favorite playthings. Except that for Sacks, his toys were chemicals, including metals and radioactive materials that were much more accessible to the general population in the 1940s.

 

As a chemistry fan myself, I was actually jealous of the hands-on experiments he could do for fun, at home. Not very many college educated chemists would have half of what he got to do as a child. He got to know each element of the periodic table simply out of curiosity and joy.

 

At the end of the book, however, Sacks asked these profound questions on what happened as he entered adolescence. Somehow, his fascination with chemistry faded. I think we can probably resonate on the experience of growing up, and letting go of a childhood fascination.

 

But now all this had changed: other interests were crowding in, exciting me, seducing me, pulling me in different ways. Life had become broader, richer, in a way, but it was also shallower, too. That calm deep center, my former passion, was no longer there. Adolescence had rushed upon me, like a typhoon, buffeting me with insatiable longings. At school I had left the undemanding classics “side,” and moved to the pressured science side instead. I had been spoiled, in a sense, by my two uncles, and the freedom and spontaneity of my apprenticeship. Now, at school, I was forced to sit in classes, to take notes and exams, to use textbooks that were flat, impersonal, deadly. What had been fun, delight, when I did it in my own way became an aversion, an ordeal, when I had to do it to order. What had been a holy subject for me, full of poetry, was being rendered prosaic, profane.

 

Was it, then, the end of chemistry? My own intellectual limitations? Adolescence? School? Was it the inevitable course, the natural history, of enthusiasm, that it burns hotly, brightly, like a star, for a while, and then, exhausting itself, gutters out, is gone? Was it that I had found, at least in the physical world and in physical science, the sense of stability and order I so desperately needed, so that I could now relax, feel less obsessed, move on? Or was it, perhaps, more simply, that I was growing up, and that “growing up” makes one forget the lyrical, mystical perceptions of childhood, the glory and the freshness of which Wordsworth wrote, so that they fade into the light of common day?

 

This change, Sacks felt, happened when he was fourteen years old. Between then and the writing of Uncle Tungsten, many decades passed, and of course, Sacks became a neurologist, author, polymath. While he ended the last essay with these sobering questions, he gave a hopeful afterword. Many decades after his passion for chemistry faded, he found it again, triggered by a friend who sent him a poster of the periodic table with a picture of each element and a little bar of tungsten, his childhood favorite element. With that, a flood of memories overcame him and his old love for chemistry was unearthed. One of the last essays Sacks wrote before he died was about his love for the elements of the periodic table. You can find this essay in Gratitude.

 

I love the contrast Sacks made between learning out of joy vs. necessity, and how one is more poetic, lyrical, the other prosaic and dull. Do you have a childhood fascination that faded away too?

 

Image credit: freeimage.com
Hamilton: How Genius Work Happens

Hamilton: How Genius Work Happens

Hamilton: The Revolution is the third post in a series on Individuality. Read the first and second.

 

We hold these truths to be self-evident, that all men are created equal. If you hear someone saying these famed words with a beat, then you’ve come across someone who has been bitten by the Hamilton bug. I’m talking about Hamilton, the Broadway musical that is making waves in the theatre world with ripples in contemporary American culture.

 

As someone whose day job is as far away as it can be from the Arts, I am immensely fascinated by the artist’s mind. How do artists create? How do they think? What thought process occurs when they work? What is it like to operate with the right brain in dominance?

 

These questions, of course, are decidedly left-brained, which, I suspect, miss the whole essence of artistic endeavors. It seems to me that the Arts involve more nonlinear processes, merging divergent thoughts and feelings that may at some point converge into a masterpiece. The actual work from the blank canvas to a painting may take a short time, but the process of creation has likely started long before that moment of inspiration.

 

Which is why I’m crazy about one of my latest reads, Hamilton: The Revolution by Lin-Manuel Miranda and Jeremy McCarter, that unveils a little of the creative process, the story of how this revolutionary Broadway musical came about. There’s a marvelous story of individuality here.

 

Individuality: An Asset in Creative Endeavors

 

Hamilton is about the life of Alexander Hamilton, the guy on the $10 bill (of which I was completely ignorant before this musical), one of the Founding Fathers of the United States and the first Secretary of the Treasury. It traces his life during the American Revolution and the early years of the nation, to his death.

 

Sounds like a bland historical statement? Yes. But, Hamilton is anything but boring.

 

Lin-Manuel Miranda, the writer and creator of the musical, said in an interview, “We take it as a given that hip-hop music is the music of the revolution.” That’s right. This is a hip-hop musical, a sound that is not typical Broadway. It’s fast-paced, energetic, delivering high words-per-minute density that covers vast amount of information in mere minutes. Cabinet debates are performed as rap battles, with contemporary language that makes these idealized Founding Fathers accessible to the 21st century audience.

 

“This is my brain and unless I express it, it’s only going to stay in my brain. It’s more about personal expression than imposing a will on the world. It’s more about…if I don’t get this idea out of my head and on to paper, it dies with me.” – Lin-Manuel Miranda

 

Lin-Manuel is a master wordsmith. There are 4 dozens of songs in this musical, much more than typical Broadway shows, and he wrote them all. I love the story of how it began, how he connected Founding Father to hip-hop.

 

About to go on vacation in 2008 from his first musical, In the Heights, he picked up Ron Chernow’s doorstopper book, the biography of Alexander Hamilton. (What kind of person does that? A nerd. Read about Lin’s relationship with books here.) Within a few chapters, something clicked in his mind: this was a hip-hop story. Needless to say, not very many could make this kind of connection! Hamilton, an outsider, an immigrant, wrote his way out of his doomed life in the Caribbean, rose with ambition through his skills with words, and helped build the country. This connection was so obvious to him that he Googled whether anyone had done a musical on Hamilton. (That would be a no.)

 

As I went through the creation story in the book, it became abundantly clear that Lin was probably the only person on the planet whose brain could birth this breakthrough musical. The marriage of an avid reader, history learner, writer, hip-hop connoisseur, rapper, freestyler, and musical buff in his personhood, plus the friends who collaborated with him, are what made this possible. If that’s not a story of individuality, I don’t know what is.

 

Lin said something profound about individuality in the last 1 minute of this interview.

The book Hamilton: The Revolution traverses the 7 years between Lin’s first moments of inspiration in 2008 to the show opening on Broadway in August 2015. It tells the stories of how the songs came about and what inspired them. The complete libretto is reproduced here (on gorgeous papers) with Lin’s annotations, plus snapshots of his notebook pages when he first wrote the lyrics. In other words, it’s a little peek into his brilliant mind. It also tells the stories of the many collaborators that built the masterpiece, that even though Lin’s name has the strongest association with the musical, the revolution did not happen just because of one person.

 

Need more reasons to read Hamilton: The Revolution? Keep reading.

 

Lessons on History

 

The biggest reason why I love this book is because of its profound insights on history. It does not treat history as a list of facts, but as stories. Stories of people, real people with real ambitions, emotions, and flaws. The Revolution here is meant to refer both to the American Revolution of the 18th century and the show itself, “a musical that changes the way that Broadway sounds, that alters who gets to tell the story of our founding.”

 

The book touches upon the fallacies through which we see history, how in hindsight revolutions may look obvious and inevitable, but in fact at the moment, they were “unprecedented and all but impossible to imagine ahead of time.” It’s hindsight bias. There’s also our faulty memory and how unreliable it is in reproducing sequence of events, something they experienced in putting this book together. If we couldn’t keep our recent facts right, how are we expecting something from 240 years ago to be entirely solid.

 

The book is a precious record of the experiences of the artists today as they are living through them. It is contemporary, and thus can capture thoughts and feelings more accurately. We know how hard it is to piece together something from the past, to capture the atmosphere and essence of the events, even in the presence of evidence. In a way, this book too is a piece of history.

 

Lessons on Collaborations

 

Even though Lin wrote the musical, the creation of Hamilton involved many bright minds. Genius work is often a collaborative effort. My favorite story is of Alex Lacamoire who was in charge of orchestrating the music, tweaking each part of the 10-person band to get the music exactly right and tell the story as best as they can. I’ve been listening to the cast album for a few days now, and I am simply blown away by the incredibly layered composition of the music.

 

There was also the stage director, stressing over little details to reproduce 18th century New York. These are things that the audience may never notice, but contribute to the feel and atmosphere of the stage, which help the actors get into their stories more.

 

With each piece, the revolution becomes less of a mythical story into a story of community, of hard work, and of ingenuity. There are iterations, false starts, and revelatory moments. But most of all, it’s a composite of individuals, with distinct individuality and gifts, pushing for something that has never been done before.

 

Quoting Lin in the video above:

“I think that’s what we do as artists. What’s the thing that only I can contribute? It’s not about the confidence to like, “Hello, world, here is this idea that never existed.” It’s… This is my brain and unless I express it, it’s only going to stay in my brain. It’s more about personal expression than imposing a will on the world. It’s more about…if I don’t get this idea out of my head and on to paper, it dies with me.” – Lin Manuel Miranda

 

Previous posts in this series on Individuality:

Individuality: What Makes You, You

Individuality and Creativity: A Christian Perspective

See also this NYT article: Why ‘Hamilton’ Has Heat

 

Individuality: What Makes You, You

Individuality: What Makes You, You

What makes you, you? This is the first of a series of posts on individuality. To begin, here are 10 thoughts on individuality. Agree/disagree? Feel free to comment!

 

  • Individuality. The you-ness that makes you, you. It’s your personality, your character, your history, your responses to situations, your decisions, all combined into one person, you. It’s what makes you unlike any other person on Earth and what makes no two people exactly alike.

 

  • Everything that makes you who you are—your biological traits, genetic heritage, ethnic background, the place of your birth and upbringing, your current location, all the places you’ve been and worked at, the people you’ve met, the people who have impacted your life, your cultural heritage, your entire life experiences, in the particular order that you experienced them, the books you’ve read, the things you’ve seen—all of these enrich you to tell your own unique story. It gives you a unique lens through which you see the world, a unique perspective that will tinge everything you do.

 

  • This unique perspective is a gift that you can give to the world. It’s your contribution to society and to humanity. Your individuality is an asset that will enrich our collective human experience.

 

  • Individuality is especially an asset in creative works, works that have no prescribed formulas and to-do guides, works that haven’t been done before. Face to face with a blank canvas, a blank page, an empty theatre, a research problem, a work emergency, what will you do? Where will you turn to when there’s no manual around? All you’ve got is your wits, your judgment, your wisdom, and your character. The way you use them to tread an uncharted path will be uniquely yours. In these blank canvas situations, I think you’ll find that your individuality is a well, that in your identity lay a treasure of connections and creativity that can manifest into a truly original work. It will not always come out right, but if you keep digging and mining the well, something great and original will come to life.

 

  • The paradox of individuality is that the person next to you is just as unique as you are. This presents no problem at all, because multiple individualities in turn can combine to create unique teams that produce unique results. As you are limited to your own experiences, others’ can inform and add to your life and to your collaborative work.

 

  • No two people can solve the same problem completely alike, if they stay true to their identity and not become a carbon copy of someone else. No two doctors perform surgery exactly in the same way, no two people sing a song the same way, no two engineers do calculations the same way. Even in math, a field with rigid rules and laws, no two mathematicians solve math problems the same way. They may end up at the same final answer, but the road to the solution will bear the mark of the author’s individuality.

 

  • Which is why diversity is an asset. Diversity is both a source of creative inventions and the outcome of originality. The combination of diverse individualities will create diverse solutions, which are needed in solving complex human problems.

 

  • Don’t worry too much about what other people are doing. Don’t worry too much that your work should or should not resemble someone else’s. Look internally and ask yourself, what would YOU do?

 

  • When you have found an outlet for your individuality, a work that truly fits who you are, you have found that rare intersection between self-fulfillment and altruism, something that is good for you and for society. It is self-centered, as in it all is anchored in your individuality, and selfless, in that it blesses other people too. It is rewarding internally, yet it is also a gift to the world. (See this post)

 

  • There’s something that only you can give in this life. There’s work that only you can do, music that only you can create, books that only you can write, pictures that only you can take. This is your gift to all of us, and we can’t wait to see it.

 

You are more unique than you think you are.


I asked some friends, What does individuality mean to you? Here are their insightful answers.


IndividualityIndividuality

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Want more? See also how individuality and creativity are related, how genius work happens, and how to use individuality as the engine of learning.

 

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