Consciousness of Time: Wisdom in the Sabbath

Consciousness of Time: Wisdom in the Sabbath

“Where did the time go?” we often ask, and no matter the frequency of this conversation, it’s never boring, because we feel its truthfulness each time. Blink once, it’s Monday, blink twice it’s Thursday, and so the weeks, months, and years pass by.

 

Age, I hear, accelerates this experience, and I can probably agree. It took forever and a half to reach age 10 and another half to 17. But to the observing adults, my aging probably did feel fast. They certainly talk about the flying time with more intensity.

 

Mathematically, it’s been explained that the ratio of a fixed amount of time, say, a year, to the total length of our growing lifetime will only diminish, hence the increased speediness. It’s perfectly rational. I like rational. But, if the math is the real cause of the experience, how scary is that? It means life will only move faster and faster, like a runaway train that’s gone out of hands. Is there nothing to be done about it?

 

A Glimmer of Hope

 

Reading Oliver Sacks’ Gratitude and Paul Kalanithi’s When Breath Becomes Air tells me that there may be a way out. Written when their authors were cancer-ridden—the first, a collection of essays written during Oliver’s[1] last two years of his life and the second, written during the two years between Paul’s diagnosis and his death—both writings seem to know how to slow time down.

 

Faced with the finiteness of their lives, these authors mastered the art of living consciously (isn’t this why time feels fast—it goes by and we are not conscious of it) and thus put a break to the speeding train of time. The writing certainly feels that way, and in reading their words, my time too slows down.

 

Consciousness of time, I think, is the kindred subject that occupied both men, evaporating the near half-century gap between their ages. Linked to this is also the fierce quest of meaning and the evaluation of their lived years.

 

Confronting mortality, humankind is forced to reflect. What of my life? Has it been good, meaningful? Am I contented with who I am? And in reflecting, time is recaptured, somehow.

 

Whether intended or not, Paul and Oliver’s writings have this recapturing effects on me. Their sense of sacredness in the time they had left produced words that grace their readers with wisdom. Yet, is this gift only possessed by those close to death’s door? I’m not dying–not that I know of, at least–and I too am covetous of this consciousness of time.

 

Sabbath

 

Oliver’s last and poignant essay was titled “Sabbath,” published in the New York Times two weeks before his death last August, and one that was very important to him. As his days were closing, he found his thoughts drifting back to the Sabbath.

 

And now, weak, short of breath, my once-firm muscles melted away by cancer, I find my thoughts, increasingly, not on the supernatural or spiritual, but on what is meant by living a good and worthwhile life — achieving a sense of peace within oneself. I find my thoughts drifting to the Sabbath, the day of rest, the seventh day of the week, and perhaps the seventh day of one’s life as well, when one can feel that one’s work is done, and one may, in good conscience, rest.

 

After abandoning his Jewish faith and heritage for decades, Oliver recalled one Sabbath celebration in 2014:

 

The peace of the Sabbath, of a stopped world, a time outside time, was palpable, infused everything, and I found myself drenched with a wistfulness, something akin to nostalgia, wondering what if: What if A and B and C had been different? What sort of person might I have been? What sort of a life might I have lived?

 

I wonder if the Sabbath was made so that humankind would live, in the deepest sense of the word, with consciousness of time. The gift of rest in the Sabbath surpasses the physical realm into the essence of life itself. This infusion is not automatic—I’ve lived Sabbath to Sabbath my entire life and I know that Sabbath too can be busy—but it is a space and time carved out to stop and reflect each week. Did I do well? Was I good? Did I do things that matter?

 

Robert John Aunamm, 2005 Nobel Laureate in Economics, said in an interview that Oliver mentioned in his essay[2],

 

The observance of the Sabbath is extremely beautiful, and is impossible without being religious. It is not even a question of improving society—it is about improving one’s own quality of life. For example, let’s say I’m taking a trip a couple of hours after the Sabbath. Any other person would spend the day packing, going to the office, making final arrangements, final phone calls, this and that. For me it’s out of the question. I do it on Friday. The Sabbath is there. The world stops.

 

After the ceremony, Robert John told Oliver, “had he been compelled to travel to Stockholm on a Saturday, he would have refused the prize. His commitment to the Sabbath, its utter peacefulness and remoteness from worldly concerns, would have trumped even a Nobel.”

 

 

Peacefulness and remoteness from worldly concerns. What would it look like to live, entirely divorced from even the privilege of winning a Nobel Prize. It seems like Robert John estimated the prize very differently from most people; something else mattered to him more. Perhaps it was an understanding of ultimate things—what is the most important thing in life, what matters most, things we usually understand when death is nigh, when time is short.

 

Perhaps the Sabbath is like speed bumps, preventing life from being overrun by the train of time. It is a reminder to be conscious of time, like a balance by which everything is scaled against eternity. The things that exist in the Sabbath realm are the things that matter in eternity—they will always matter—like family, friends, love, reflection, peace with God and peace with self. Everything else can take a pause, irrelevant for one day.

 

I’m writing this at the entrance of a Sabbath. For the next 24 hours then, I’m going to live with consciousness of time.

 

[1] I’ll use their first names here to make the post more personal instead of academic.

[2] Read the whole interview with Robert John Aumann here.

 

Photo by Johnny Loi

 

Stony Island Arts Bank: Chicago Highlight

Stony Island Arts Bank: Chicago Highlight

All photos of the Stony Island Arts Bank in this post are taken by Johnny Loi Photography.

 

If you’re a history lover and an enthusiast of cultures, you must visit the Stony Island Arts Bank in the South Side of Chicago. It’s a community, cultural, and arts center, housed in a reclaimed building that was initially going to be torn down. The beautiful structure was a bank from the 1920s that had been abandoned for a long time, until the Rebuild Foundation came, renovated, and gave it a new life as a center that fosters community engagement with the history and culture of Chicago’s South Side. See the beautiful images of the bank in the image gallery below.

 

I came primarily to see its marvelous reading room and I dragged my photographer husband with his gears. The reading room is actually the Johnson Publishing Library, with books up to the ceiling on Black history and cultures. You’re allowed to browse and flip through the books, but not check them out. Wash your hands first before you touch the books, since some of them are very old. They also have drawers of old picture slides dating all the way back from the 1800s (wear gloves if you want to check them out and notify the staffs).

 

The top floor features two private collections that had been donated to the arts bank. One is the Frankie Knuckles records collection and the other one is the private collection of Edward J. Williams, who had amassed hundreds of racist artifacts of Black Americans from the Civil War era to the present. He had purchased many of these objects to take them out of circulation. Among these were segregated bathroom signage, old postcards with very disturbing images and sayings, and many others that reflect a way of thinking that is part of American history.

 

The staffs are very helpful and eager to tell the many interesting stories associated with the arts bank and its exhibits. Since its opening in October 2015, this center has been an active and ongoing project, with volunteers from the community helping with efforts such as cataloging the books in the library.

 

I enjoyed the few hours I spent there tremendously. They also host events and musical performances by local artists, which are more reasons to come back and visit. If you plan to visit Chicago, be sure to stop by and spend some time there (free admissions!).

 

See more coverage of the Stony Island Arts Bank here and here. Visit their website here.