2011: A Bookish Review

2011: A Bookish Review

Among my few metanarratives for 2011, one of them is attributed to books. In the beginning of last year I set a target for the number of books I wanted to read (80% of the books I own but haven’t read). That number came out to be 53. I ended up reading only 34 books in 2011, a number I can live with. Most of these books were read on the shuttle, train rides, and airport travels, and a small portion of stealing time here and there during meals and whatnot.

These printed friends of mine have been the most loyal companions in 2011, most gentle teachers, and most exciting travel buddies. In the absence of human companions, I’ve found many a friend in the authors of these books. In the last four months of the year, when grad school bulldozed over my life and basic necessities such as food and sleep were barely met, I clung on even more tightly to my books as an effort to keep at least one thing pleasant in my life. Somehow, I ended the year with an even more voracious appetite for reading than usual, reading 5 or 6 books in the week preceding GYC 2011.

I suppose it’s silly to express gratitude to inanimate objects, but in this case, a tribute to books is in order. What would my life be without them? They were my escapades from rough realities, they took me to places that I would probably never visit, and introduced me to people I would never meet. They expanded my horizon beyond the perimeters of my own world, and I owe a great deal to anything or anyone who has that function in my life.

In 2011, I traveled by foot across Afghanistan with Rory Stewart. I sat at the feet of Solomon and marveled at his wisdom through Ecclesiastes and its commentaries. I savored the brilliance of Ellen White’s Education beneath the shadows of Honduran hills and mountains. Amy Carmichael introduced me to the dear children she took care of in South India a century ago. With Condoleezza Rice, I went into negotiation rooms around the world and saw a glimpse of how history was made. I rode the thrill of Obama’s presidential campaign in the last election cycle with David Plouffe, and learned more about my home country from reading about the life of Stanley Ann Dunham, Obama’s mother.

Some authors can, as it were, cast a spell on me with their writing styles. I laughed with the best author in present-day Adventism (Clifford Goldstein) in his Mules that Angels Ride. Pramoedya Ananta Toer, effectively transported me to early 20th century rural Indonesia and told me stories of the children of the revolution.  C. S. Lewis’ English beautified a common, yet profound topic in the human experience, the Four Loves. And finally, I was spellbound by Heschel’s ingenuity. “To become aware of the ineffable is to part company with words. The essence, the tangent to the curve of human experience, lies beyond the limits of language.” (Man is Not Alone, p. 16) Upon reading these words, my jaw dropped and I had to pause and regain composure from disbelief that someone actually penned such a beautiful sentence. Heschel was a genius.

When I was little I used to watch a Japanese anime called Doraemon, which was the name of a robotic cat from the future that had a magical pocket from which it could pull out cool, impossible gadgets. One of its staple gadgets was called the “Anywhere Door” that could open up and transport anyone to anywhere the person wished to go. To me, books are my “Anywhere Door.”

All the world’s a classroom.

Captivated by Music

Captivated by Music

I’m a bit of a musical junkie. Ok, not a bit… a lot. I think the most enchantingly talented individuals are the musical theatre people. The sound that comes out of these human beings is just marvelous. When they’re on stage, it’s like the human anatomy become an instrument, with sound waves traveling through the biological cavities, all working together for a single purpose: to make music. They sing with all their being and the artistic creation that comes out of this process is simply amazing.

The thing that’s interesting is, say an actor or actress performs some of the songs in a concert, in a setting that isn’t within a storyline, but it’s the same song, same tune, and same lyrics. Somehow, the performance isn’t as powerful as when they’re in character and in the story (source: casual observations from a bunch of YouTube videos). It was quite a curious case.

So perhaps to say the obvious, I think the difference is exactly that – the storyline. When they sing at some function, they’re not as much in character and the song becomes just a nice song, a mixture between lyrics and notes. But when they’re in character, all the expression and emotion blend in, adding another dimension to the music, and giving it a certain transcendence that can create goose bumps to those who witness the performance. The words come from the heart and from the experience of the character, and the music communicates both to the conscious and the subconscious.

Basically the point is there’s a difference between a song that is sung and a song that is experienced; the quality of the music is noticeably distinct.

There’s a verse in Revelation that I always think kind of cool. “And I heard a voice from heaven, as the voice of many waters, and as the voice of a great thunder, and I heard the voice of harpers harping with their harps. And they sing as it were a new song before the throne, and before the four beasts, and the elders, and no man could learn that song but the hundred and forty and four thousand, which were redeemed from the earth.” Revelation 14:2-3.

There’s also a hymn that says the following:

Holy, holy, is what the angels sing

And I expect to help them make the courts of heaven ring

But when I sing redemption’s story, they will fold their wings

For angels never felt the joys that our salvation brings

(Hymn title: Holy, Holy, is What the Angels Sing. All the lyrics are relevant to this thought)

Could it be that in heaven, singing something that one hasn’t experienced is not allowed? Could it be that singing something without meaning it is akin to lying?

The song we sing is and should be closely related to our experiences. Our songs of praise are distinct from one another’s. When David said that “He hath put a new song in my mouth” (Ps 40:3), it meant that He has given him a new experience with Him.

Which brings me to a source of bewilderment when I’m in a church with a congregation that is so timid during singing time. Have we not experienced the goodness of God?

The most beautiful songs are the ones sung with the heart and with the whole being. I’m sure those are the songs God likes to hear as well.

Les Miserables in Grand Rapids, MI

Me with Les Mis cast member - Marius Pontmercy

The Elias, who are all pretty much musical junkies